«There is no need for this to exist, and yet it does in a very articulated way», so Andra Ursuta über ihr zwischenzeitlich zerstörtes Elternhaus im rumänischen Salonta. Ihre Erinnerungen an die unauflöslichen Ambivalenzen in der Geschichte Rumäniens hat sie in puppenhausähnliche Raummodelle übersetzt.
Andra Ursuta · Whites, 2015, Installationsansicht Kunsthalle Basel, Courtesy Massimo de Carlo, Mailand/London; Ramiken Crucible, New York. Foto: Philipp Hänger
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