La première est collective, la seconde monographique. Deux expositions qui questionnent, à partir de la technique photographique, la fabrication et la lecture de l'image, son appartenance à l'histoire de l'art, et son statut de bien commun réifié, démultiplié et régénérable.
Séamus Kealy · Zone, huile sur toile, 55 x 175 cm, 2004
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