Der Venezolaner Javier Tellez geisselt in zwei neuen Videoarbeiten am Beispiel von gesellschaftlich Marginalisierten die Macht von Politik und Institutionen und nimmt gesellschaftlich konditionierte Verhaltensmuster kritisch unter die Lupe.
Javier Téllez · La Passion de Jeanne d´Arc (Rozelle Hospital, Sydney), 2004, Videostill «Twelve and a Marionette», Courtesy Javier Téllez und Peter Kilchmann Gallery, Zürich
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