Wo liegen die Schnittstellen zwischen den künstlerischen Avantgarden der Siebzigerjahre und einem ständig zunehmenden Interesse an der Performancekunst? «Re.act.feminism» in Berlin und eine Interview- und Performancereihe in der Schweiz suchen nach Antworten.
Lilibeth Cuenca · A Void, Performance, 2007, Kirkhoff, Gallery, Kopenhagen. © ProLitteris, Zürich. Foto: David Høi
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