Was verbindet Andrea Zittels installative Wohnzellenmodule mit Salvador Dalís spasmografischen «Onan»-Kritzeleien, mit Edvard Munchs Lithografie «Eifersucht», mit Martin Kippenbergers «Schneewittchen Sarg»? Sie alle sind zurzeit in einer Ausstellung der Kunsthalle Baden-Baden zu sehen. Es geht um die Seele in der modernen Kunst.
Hilma af Klint · Baum der Erkenntnis, Nr. 1 aus der Serie W, Juni 1913, Aquarell, 46 x 30 cm, Stiftelsen Hilma af Klints Verk, Stockholm
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