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Recently, with the discovery of the ceramic medium, I've found a way to incorporate more permanent but still delicate elements into my work. The malleability and delicacy of the diverse materials I usually use evoke the feeling of living almost performative structures. I create ceramic forms that interrogate the familiar utilitarian shapes they recall, like hooks and handles. The shapes of decorative objects such as plants and balloons con-
tinue this idea of putting a new gaze on the quotidian ways these objects mediate the spaces we inhabit. Fields and feelings invite the spectator into a poetic journey.

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