Rückzug in die Öffentlichkeit: Mit dem Projekt einer skulpturalen Architektur für den Körper, die in ihrer asketischen
Reduzierung und Enge zugleich selbstdisziplinatorischer bis autoerotischer Panzer ist, versuchte Absalon, in seiner Kunst zu leben.
Absalon · Cellule No. 1/2/3/5/6 (Prototype), 1992, Ausstellungsansicht KW Institute for Contemporary Art, 2010. Foto: Uwe Walter
You can read the full text in the current printed issue of the art newsletter or by registering as a subscriber.
Buy individual items
Do you just want to read this article? You can buy it separately here.
CHF2.—
After you have purchased the item, it will be displayed as a PDF in the browser window. You can also have the article sent as a PDF to the email address entered below.
Buy